Last year, I started my very own movie awards – the “Bernels” (LOL). It was nothing fancy and technical. Just plain fun, informal ad-libs of categories for predetermined winners. I’m going to do more of that soon (around the Oscars season), but for now, I’ve decided that I’m going to apply the Bernels’ treatment on 2013 TV shows. (So now, the Bernel’s will have two editions: for TV and then for movies. Sort of an Emmys Bernels and an Oscars Bernels. LOL). Again, there is only one criterion for categories and winners: my preference.
BEST TV SERIES: Elementary
When House M.D. was still around, it was my undisputed most favorite TV
series. But now, among the pool of TV
series I follow, I can’t easily pick one.
I really don’t have a most favorite – what show I enjoy the most above
all. But if I’m compelled to pick one, I
think I’ll go with – hmmmm – maybe, Elementary. Or Castle. Hmmmm.
Ok, Elementary then. I, think, among all the TV series I follow,
these two are the ones I am most excited about to watch a new episode of. Either of the two will do for me as “Best TV
Series.” But I’ll go with Elementary,
since it features a Sherlock Holmes (my most favorite character of all time)
and Johnny Lee Miller’s take on him might not be the best reinvention of the
character I’ve ever seen, but he still did fantastic in playing an eccentric,
brilliant, and charismatic Sherlock Holmes.
Plus, there was no Sherlock in 2013. Therefore, since that superior Sherlock
Holmes TV series was unavailable, Elementary
has no rival in my interest and affection.
Sherlock does it better (by a
distant margin), but Elementary can’t
be compared to the absent Sherlock in
2013. (Next year, however, is another
matter. Sherlock Series 3, which came out this 2014, has just recently
finished. And it was awesome! It will be in contention in next year’s
Bernels. Elementary has no chance of touching it by then.)
If given some thought, Elementary’s premise seems to imply lack
of originality and creativity. It seems
to be a gimmicky attempt to capitalize on the popularity of both Sherlock Holmes as a pop culture icon and Sherlock. It tried to be “original” by minimizing the
amount of allusion to the original literature, and outside of these minimal
references, everything is new and different.
But, then again, if a lot of things are going to be new and different
anyway, why not make the rest of the elements new and different? Let the characters and stories and every
other element of the show stand on their own, and not anchor it on the
popularity of the Sherlock Holmes mythos.
(What makes Sherlock
awesome is its perfect depiction of how the
Sherlock Holmes mythos will fare if it’s in a modern setting. There is rapport and balance between the
novelty of a new narrative and the referencing of elements – quotes, names,
features, plot devices, plot details, etc. – from the original literature. Then, there is cleverness in manipulating and
reinventing these allusions to fit into an original overall storyline.)
One of these significant attempts
to be different by Elementary is
making Watson a female. And it
ruins the special dynamic and charm of Holmes and Watsons’ relationship. Moreover, with Watson as a female, there is a
chance that a love angle between Watson and Holmes will develop. Ugh.
(Again, Sherlock did perfectly
well in translating the friendship between Sherlock Holmes and Dr. John Watson
into a modern setting. Another example
is House M.D.’s House and Wilson,
which were based on Holmes and Watson) The
only way I can learn to accept this detail is that Sherlock Holmes and Joan
Watson will never become a couple throughout this show. Nonetheless, I don’t hate the character. I learned to tolerate her and treat her as a
mere character and necessary aspect of the show.
Setting these (minor) nitpickings
aside, Elementary is fascinating and
entertaining. It’s a smart mystery
series. Again, Johnny Lee Miller’s
Sherlock Holmes is entertainingly compelling.
The supporting characters, especially Gregson, have been given ample
personalities to make you interested.
The show’s “mystery of the week” suits me. And the twist of the major arc of Season 1 –
Holmes’ run-on with Moriarty – blew me away (more of this later).
Runner-up: Castle
BEST NEW TV SERIES I GOT HOOKED
WITH: Sleepy Hollow
If Elementary’s reinvention of the Sherlock Holmes mythos is absurd
and utterly different from its source, then Sleepy
Hollow’s approach is full-blown, batshit insanity. Out of the main character, Ichabod Crane; the
presence of the Headless Horseman; and “Sleepy Hollow” as the setting, the show
has no resemblance with Washington Irving’s “The Legend of Sleepy Hollow.”
It’s about Ichabod Crane, who was
brought to the present time by his (witch) wife, as he partners with police
officer, Abbie Mills, and together, in each episode, with the aid of some
allies, they take on supernatural threats and historical mysteries as part of
their fated crusade to stop the agents of evil, like the Horseman of
Apocalypse, from heralding the apocalypse.
There is no denying that everything
about this show is ridiculous and dumb.
But it also does produce captivating entertainment.
The show mixes up biblical,
historical, horror, and fantasy elements in its mythos, making it very
interesting. Tom Mison’s Ichabod Crane
has strong screen charisma; he is such a fascinating character that even when
the show’s craziness and ludicrousness go too much, he will carry the show and
keep your interest intact. Moreover,
Ichabod Crane’s encounters with modern technology and practices bring obvious
funny moments to the show. It also helps
that the rest of the ensemble of characters of this show is as likable as Crane
as well.
Runner-up: Almost
Human
BEST NEW TV SHOW THAT SHOW
POTENTIAL FOR AWESOMENESS: Defiance
The show was compelling enough to
make me write about it during its first season’s run last year. There are four main reasons why I got hooked
with it: 1.) Stahma Tarr; 2.) Datak Tarr; 3.) its fresh and appealing sci-fi
premise (despite of borrowing several tropes from past sci-fi shows); and 4.)
the presence of a potential to become as awesome as Firefly. Among these four,
the main reason I’m still in for the ride, despite of the show’s
disappointingly underwhelming season finale, is the fourth one. As I’ve said before (in my initial analysis of the show), “…as long as I feel that the potential is still there, I will be
following the show. In fact, I think
that even if the show fail to achieve that level of awesomeness I’m hoping it
would become, as long as that feeling of potential – just this – remains
present, I’ll actually take it. I’m
willing to continue watching it for that.”
Runner-up: Almost Human
BEST TV ONE-SHOT SPECIAL: Toy Story of Terror
Despite of having three movies
already, I want more of Toy Story. I believe it’s still good enough for two or
three more movies. There are no plans of
doing another one yet. For now, I’m
thankful that this 20-minute TV special during last year’s Halloween was
made. Such a delightful treat to see the
beloved Toy Story characters
again.
BEST ANIME/ANIMATED SERIES: Kuroko No Basuke
I don’t watch much anime as much
as I do when I was younger. So my pool
for “Best Anime” does not have many choices in it. But I believe Kuroko No Basuke deserves to win this.
2013 was the year that I first encountered Kuroko No Basuke. And I easily got hooked with the over-the-top
and thrilling basketball drama that its new chapters and new episodes are what I
was excitedly looking forward to the most among all the manga and anime I was into in
2013.
BEST MINI-SERIES: Dracula
Here’s another TV show that
crazily deviated from its literary source material in its attempt to reinvent it. Just like Elementary and Sleepy Hollow,
this ludicrous reinvention of Dracula successfully worked. Dracula’s similarity to the original
literature is limited to character names and to their characteristics (to an extent). It’s so absurdly
different from traditional Dracula stories.
Dracula takes the guise of an American, Alexander Grayson. Dracula and Vah Helsing are collaborators
(what?!). The villain of the story is
not Dracula, but the Order of the Dragon, a powerful secret society that
manipulated the political conditions of the world for centuries for their own
greedy purposes. And there’s the porn star-like Lady Jaye, who
is supposed to be a brilliant vampire hunter, but can’t tell that Grayson is a vampire since she got the hots on him. And
a lot of other insanity.
MOST DISAPPOINTING NEW TV SERIES
(BUT I STILL AND WILL STILL WATCH): Agents
of S.H.I.E.L.D.
I was so excited for this to
come. Heck, it has fan-favorite Phil
Coulson in it. But then, when it finally
aired, it felt flat, bland, and dreadfully lacking. There were many times I felt that watching an
episode was a chore. The plot and
narrative are hardly as epic as I expect it was going to be. Outside of Phil Coulson and Melinda May, the
characters are uninteresting, unlikable, and generic, but can be tolerable in
the long run, with the exception of Skye, which the consensus of viewers found annoying.
Still, I’m still not going to
give up on this. This series, after all,
is still connected to the epic Marvel Cinematic Universe. Improvement is not at all an impossibility,
and is actually likely. I’ll give it
time to gel. Besides that, Phil Coulson
and Melinda May, which are both cool and charismatic characters, are keeping me a willing watcher of this show.
Let me insert this insight of mine: I strongly believe that it would
have been a hundred times better if they named the show Coulson instead of Agents of
S.H.I.E.L.D. Let Phil Coulson to
completely be the star of it. It doesn’t
mean that the other characters will be forgotten and have the disadvantage of
not getting a chance to shine. Actually look
at shows like Castle and House.
Though Richard Castle and Gregory House are the main stars, their supporting characters proved to be interesting and
developed well during the series.
Castle and House headlined and carried the show – and rightfully so,
since they are the most interesting characters in their respective shows – but,
still, the other characters were not completely overshadowed. Hence, since Phil Coulson is the most
interesting character in the show anyway, they should have let him headline
and carry the show. The audience will
have to focus mainly on him at the start, since they would be watching his show – a show about Phil Coulson and
not a show about Phil, Melinda May, and a bunch of boring characters – hence, the
show will have the advantage of having the other characters develop quietly
while the viewers focus on Coulson.
BEST “AH-IT’S-STILL-AROUND-AND-I’M-STILL-WATCHING-AND-LOVING-IT” TV SERIES:
Psych
Castle doesn’t qualify for this.
Though it’s already in its Season 6, I only started watching it back in 2012. So it doesn’t count. Thus, it goes to Psych, which is the oldest on-going TV series that I’ve been
following. I am still loving the clever
use of humor and “pop culture/nerd culture theme of the week” approach (Castle also does this often) of this
show. For me, the good quality of the
writing of this series is still sustained.
Would still love to see more of Shawn Spencer in the future.
BEST TV HERO: Ichabod Crane (Sleepy Hollow)
Once again, a big reason why Sleepy Hollow is awesome is because of
Ichabod Crane. The character is
captivating and fresh, despite being another genius-type protagonist – a thing which
TV is already crowded of. Aside from his
intellect, he is also a badass, for he takes on the supernatural head on
despite having no supernatural abilities at all. Moreover, being a man from the past, he is constantly
baffled by the modern world, much to the amusement of us the viewers, adding
another layer of charm to the character.
Runner-Ups: Sherlock Holmes (Elementary), Richard Castle (Castle)
BEST TV HEROINE: Kate Beckett (Castle)
Castle is Richard Castle’s show.
But Beckett is as much important to the show as the titular Castle. In their partnership, they are in equal
standing. While Castle does enable the
“thinking out of the box” thought process with his initial outlandish
assessments, it is Beckett who keeps the investigation in sensible precision
(hence, together, they make an awesome crime-solving team). And between the two of them, Becket is
actually the consistent badass, not Castle.
BEST TV VILLAIN: Datak Tarr (Defiance)
BEST TV VILLAINESS: Stahma Tarr (Defiance)
They aren’t really the outright
villains, but they are nonetheless the most malicious among the regular
characters of the show. As I’ve
mentioned earlier, this compelling husband-and-wife tandem is one of the things
that keeps me watching Defiance. They are, clearly, the best characters in the
series.
Datak obsesses in increasing his
status, and Stahma is pleased whenever she aids her husband achieve his
goals. They are intensely driven by
ambition and will do whatever it takes to get what they want. Both are natural schemers, but Datak is more
impulsive while Stahma is more calculating.
These put great depth and personality to the characters, making them
mightily interesting.
BEST ANIMATED TV SERIES CHARACTER:
Tetsuya Kuroko (Kuroko No Basuke)
Since Kuroko No Basuke is my favorite animated series in 2013, it is only
right to pick Tetsuya Kuroko as 2013’s best animated character in TV. His remarkable basketball skills make him a
truly fascinating character. (I even
found his qualities as a perfect analogy for what makes a great worship leader.)
BEST TV DUO: John Kennex &
Dorian (Almost Human)
If you really attempt to think
out Almost Human, you will find
stupidity, inconsistency, and plot holes in it.
And for a sci-fi show, the amount of sci-fi in it is just passable. Hence, you won’t love and follow this show
for its intellect nor for its sci-fi.
You would love and follow this show because of John Kennex and Dorian. Their chemistry is so fantastic that it’s
enough to make you overlook the show’s flaws.
Almost Human borrows a lot of tropes from established sci-fi
properties. And this is the true on the
case of John Kennex and Dorian. They are
obvious copies of Elijah Bailey and R. Daneel Olivaw from Isaac Asimov’s Robot
novels. Now, Elijah Bailey and R. Daneel
Olivaw’s partnership was very engaging and enjoyable, hence, what had drawn me
to watch Almost Human and what kept
me watching is how John Kennex and Dorian perfectly remind me of Elijah
Bailey and R. Daneel Olivaw.
Runner-Ups: Richard Castle &
Kate Becket (Castle), Shawn Spencer &
Burton “Gus” Guster (Psych)
BEST DEFUNCT TV SERIES THAT I HAD
JUST CHECKED OUT LAST YEAR: Veronica Mars
Veronica Mars had already ended way back in 2007. I was never aware of its existence during its run. But then it became relevant again in 2013
after creator Rob Thomas launched a Kickstarter campaign to raise funds for a
Veronica Mars movie. The goal was $2
million dollars. That goal was met in mere ten
hours after the start of the campaign – a record-breaking achievement. Because of the buzz it caused, I became
curious what this Veronica Mars is all about – if the show is really that good
as implied by the positive Kickstarter response for a film. I checked it out – all three seasons of it... and I easily became a fan. It was an impressive and well-written show; it
was obviously another case of a great show being undeservingly and prematurely cancelled. Furthermore, Veronica Mars is a compelling
character – a Nancy Drew with an attitude – and one of the best female
characters I’ve ever encountered in fiction.
And, yes, I’m “Team Logan” (Piz is boring and uninteresting, one of the
few bad things about the show).
BEST TV SHOW I WAS NOT FOLLOWING
AND WISHED I HAD CHECKED OUT BEFORE: Breaking
Bad
Breaking Bad ended in 2013.
Its finale was praised as one of the greatest in TV history. Breaking
Bad could be one of the finest TV shows ever and I’ve never even watched a
single episode. It made me think that I
had missed out from something special. It made me wish I should have bothered
checking it out while it was still on air.
BEST TWIST: Irene Adler =
Moriarty!!!
It blew my mind. In Elementary’s
own reinvention of the Sherlock Holmes mythos, Irene Adler – the woman Sherlock
Holmes esteemed the most in all the retellings and reincarnations – was the
real identity of Moriarty (Holmes’ arch-nemesis). “Moriarty” was merely Irene Adler’s alias (or was it vice versa?) all along. She is
the real “Napoleon of Crime.” And
Moriarty’s male voice that Sherlock converses with on the phone was courtesy
of a minion of hers – being given instruction on what he should say by
Irene. This development is pretty
original and has never been done before in any other Sherlock Holmes
reinventions – brilliant!
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