The Florida Project focuses on a group of impoverished children living
in a budget motel nearby Disney World, as they spend their summer days amusing
themselves, loitering across town, eating ice cream, mooching from tourists,
and causing juvenile mischief.
Meanwhile, due to their naive, young minds, they don’t take notice of
the horrors and harshness of life occurring around them.
Willem Dafoe plays the supporting
role of Bobby Hicks, the manager of the motel.
Though constantly exasperated by the misbehavior of the kids and their
parents, he maintains a fatherly heart for them. Dafoe delivered here the kind of nuanced, impeccable
performance that you would expect from a legend like him. You really get to feel for his character, who is oozing with patience, compassion, and tough love.
But the most remarkable
performances come from the young cast.
This film features some of the most adorable and compelling child
acting of 2017, particularly from Brooklynn Prince and Valeria Cotto, who
respectively played Moonee and Jancey.
Through Moonee and Jancey and the
other kids, the film portrays childhood in the most down-to-earth way possible. There’s no cinematic romanticizing
involved. It shows what actual childhood
can be in real life. It shows that children
are impish. In the absence of
supervision, left at their own devices, they can be annoying, naughty, vulgar, and
inconsiderate. These things come
naturally for them, as they know nothing better. And it’s not necessarily because they are
evil. But simply because of their
immaturity, their innate vitality, playfulness, curiosity, fun-lovingness, and ignorance
get the better of them. And that’s where
adults come in – to guide and counsel.
Still, even though its portrayal
of childhood in this film is realistic, it’s nonetheless magical.
But realism is a double-edged
sword. As much as this film is heartwarming, whimsical, joyous, amusing, and uplifting, it’s also poignant, dark, tragic, sour, and depressing. This film will break hearts. It broke my heart.
With this film’s focus on a crude,
poverty-stricken section of society, we are reminded of the pitiful state of the
less fortunate. Not necessarily because
they are neck-deep in poverty, but because they are seemingly ill-equipped in getting
out of it. The film shows the sad
reality that poverty breeds boorish character and boorish character breeds
poverty. It’s a vicious cycle that is
difficult to break. For boorishness
often comes as a means of coping and surviving in an impoverished environment.
And it is the children who will
have the most painful time in such case.
For though their innocence shields them from initially recognizing troubles,
their naivety leaves them vulnerable and incapable of dealing with troubles when
they finally get at them. There’s something
sweet and adorable when children approach a problem with a simple-minded solution,
as what Moonee and Jancey try to do at the end of the movie. But, ultimately,
it’s saddening because the problem isn’t really solved through such means.
There are poor, struggling people
all over the world. But setting this
story nearby Disney World is simply brilliant, as its proximity to “The
Happiest Place on Earth” (yeah, that’s technically Disneyland’s nickname, but
you get the point) casts a shadow of beautiful, resounding poetic irony.
For me, The Florida Project is definitely one 2017’s best films. But beyond that, it’s a cinematic masterpiece
that hopes to inspire its audience to be more thankful, kind, patient, and empathetic. Especially to children.
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