Straight Outta Compton is the surprise movie of the year. No one was expecting it to be this
much well received. I also like it, but probably not as much as the general acclaim that it’s currently
receiving.
This movie is a biographical film
about N.W.A., the revolutionary hip hop group that originated from Compton,
California. It chronicles events from how
Ice Cube, Dr. Dre, Eazy-E, MC Ren, and DJ Yella formed the group in the 80’s up
to Eazy-E’s death in the 1995, covering the rise of N.W.A, their cultural
impact, feuds, and personal struggles. Of course, typical of biographical films, the story also makes liberties and has some fictional revisions added.
I enjoy some hip hop songs but I’m
not particularly a fan of the genre. I’m
familiar with some hip hop history and culture, but I have to say that I’m not
so knowledgeable about them. I know who
Ice Cube (because he has become an actor) and Dr. Dre (because Eminem, who I
liked as a teenager, thinks highly of him) are, but I can’t remember having heard
of Eazy-E and the others prior to this movie.
Thus, I find Straight Outta
Compton a very fascinating and informative look on hip hop history and
culture. Most of the things that the
movie presented are new to me.
But more than being a fascinating
study, Straight Outta Compton really works
well as a movie. The production values
are terrific, perfectly embodying where and when the movie is set on. The writing and editing do well in keeping the narrative quality coherent and engaging despite the dense plot. The direction is both energetic and polished,
and the acting is topnotch. Many
say that the actors’ portrayals of the N.W.A. members are
spot on, but I wouldn’t really know – except for O’Shea Jackson, Jr. as Ice
Cube – since I don’t know most of them, but I believe this is true. I
also enjoyed seeing Aldis Hodge (he plays MC Ren) on screen again; I really
liked the guy as Alec Hardison in Leverage.
The movie also touches upon some relevant
themes and social issues, which is interesting.
There are some insights that I have to nod with, but I don’t really
agree with much of the overall message of the movie – or N.W.A. for that matter. The story is probably being manipulative in
sending its message, but I understand where it’s coming from.
In the end, I don’t think Straight Outta Compton is the potential classic that many think it is. But I could be wrong. Time might find that it’s as groundbreaking to biopics as N.W.A. is to hip hop music. Either way, it definitely has enough interesting things
going for it to make it one of 2015’s most important, must-watch films.
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