The Man from U.N.C.L.E. is based on the classic 60’s TV series of
the same name. Set during the height of
the Cold War, the movie is directed by Guy Ritchie and stars Henry Cavill and
Armie Hammer as two rival spies, CIA agent Napoleon Solo and KGB agent Illya
Kuryakin, forced to put aside hostilities and team up to stop a
mysterious criminal organization from upsetting the delicate, tense balance of
nuclear arms between the US and the Soviet Union.
The Man from U.N.C.L.E. is a beautiful and very entertaining movie. It has a great sense of humor. It has several striking sequences and
shots. The sets and costumes are stylish
and detailed. The cast is great – the
men are suave, the women are gorgeous. The
characters – particularly the main trio of Solo, Kuryakin, and Gaby Teller
(played by Alicia Vikander) – have wonderful chemistry and are extremely likable. The movie’s weakest point is its clichéd, unexceptional
plot – which become more and more apparent while the second half of the
story is unfolding – however, the movie benefits from Guy Ritchie’s engaging direction,
thus, the narrative progresses in a confident, captivating manner nonetheless.
By itself, The Man from U.N.C.L.E. is visually appealing, funny, and enjoyable. However, it’s released in a year of notable
spy movies. This 2015, aside from it., we also have the
awesome Kingsman, the terrific Rogue Nation, the hilarious Spy, and the upcoming Spectre, and it doesn’t pack enough punch to
make itself stand out above the others. It’s
pretty likely that, in the end (I’ll only know for sure after I see Spectre in November), The
Man from U.N.C.L.E. will end up last among the four.
Still, I would love to see Ritchie,
Cavill, Hammer, and Vikander make a sequel.
Even with its shortcomings, The
Man from U.N.C.L.E. still manages to deliver delightful stuff. And I want
more of it.
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