Revenge is, well, a revenge film about a young woman named Jen
(Matilda Lutz) who is taken by his rich French boyfriend Richard (Kevin
Janssens) to a romantic getaway. However,
their weekend is interrupted by the untimely arrival of Richard’s hunting trip
friends, Stan and Dimitri (Vincent Colombe and Guillaume Bouchède), who start giving Jen dirty looks as soon as they arrive. The
next day, Jen is horrifically raped, and when she can’t be pacified afterwards,
she is pushed off a cliff and gets impaled on a tree. The men, believing her to be dead, agree to
continue with their hunting trip as if nothing has happened. However, she survives and her improbable will
to live is soon replaced by a burning, hate-filled desire of vengeance.
This movie is a throwback to the
70’s exploitation cinema, in which rape-and-revenge movies are a staple of. As a result, it contains elements typical of
those movies, like lurid visuals, unrealistic scenarios, a ridiculous amount of
blood loss, and fake-looking body mutilation special effects. Most importantly, its plot follows a
predictable, trope-defined structure that requires much suspension of
disbelief.
However, like Kill Bill (as well as most, if not all,
of Tarantino’s movies, which are, after all, heavily inspired by old-school exploitation
films) and Brawl in Cell Block 99, it
has artistic motivations rather than purely “exploiting” the taste for the violent,
the grotesque, and the titillating. Thus,
what makes it truly riveting is how its “exploitation” nature is given a nuanced
and stylish execution by thoughtful direction, gorgeous cinematography, and creative editing. This also allows the movie to play with
metaphors without appearing pretentious.
All in all, Revenge is a perfectly solid grindhouse thriller. It has a few notably dumb parts, but they are
inconsequential when one understands the film for what it has intended itself
to be. There are some parts which are laughably
unbelievable, but there are also some parts which are truly wince-inducing. But both only pave the way for a genuinely gratifying
and even occasionally thought-provoking revenge arc.
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