Objectively, Ant-Man and the Wasp is not as good as Ant-Man. It’s definitely
enjoyable, but it plays safe and delivers itself as a predictable superhero
caper. In fact, down the line, I believe
it’ll probably end up as one of the lesser entries on the Marvel Cinematic Universe. Nevertheless, because of its strategic
release date, it also comes off as very refreshing. For its light-hearted touch is a welcome
offset to the sense of bleakness left by Avengers: Infinity War.
Set before the events of Infinity War, the story looks in on
Scott Lang (Paul Rudd) who has been placed in house arrest as a result of his participation
as Ant-Man in Captain America: Civil War. With only days away from the end of his
sentence, he’s contacted by Hope van Dyne (Evangeline Lilly), who is now
donning the Wasp suit, and Hank Pym (Michael Douglas) to help them rescue Janet
van Dyne (Michelle Pfeiffer), whom they believe is still alive, from the
quantum realm. However, in order to do
so, not only do they have to evade capture by the FBI, they must also contend
with a mysterious villain named Ghost (Hannah John-Kamen), who has her own
interest with the quantum realm.
Ant-Man and the Wasp entertains extremely well, and a large part of
it is due to the humor. If nothing else,
this is a hilarious movie. And, just
like before, Paul Rudd and Michael Peña are responsible for most of its comedic
energy.
The long-overdue debut of the
Wasp into the MCU is also a thrilling aspect of this movie. As what was already established in Ant-Man, Evangeline Lily owns the role. Though the spotlight on Hope van Dyne sometimes
undermines the characterization and development of Scott Lang a bit, she
nevertheless proves that she is deserving of having that spotlight.
Moreover, the shrinking-growing dynamics
inherent in its premise once again yield a good amount of cool moments and set
pieces. Especially fantastic in relation to this are the action sequences, which wonderfully play off of the abilities of,
not only Ant-Man and the Wasp, but also of Ghost.
Ghost, however, breaks the MCU’s
streak of compelling villains. Well, she’s
not bad at all. There are actually some interesting
facets about the character. But, in the
final analysis, the writing involved on her is pretty clichéd.
Speaking of writing, the script is
not as strong as its predecessor (which, I think, is within the top three best MCU
origin movies). It has a couple of
clever parts. And it has heart. But it doesn’t project any real depth or
major feels. It leans more on being a
run-of-the-mill fare rather than being a true standout. On top of that, it has glaring plot holes and
untied plot threads.
Nevertheless, all the flaws are
compensated by the MCU goodwill, the loveable characters, the appealing screen
chemistry of the main actors, and the aforementioned humor and action. Thus, for
what it is, Ant-Man and the Wasp is still
a delight.
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