The Mission: Impossible film series is already more than two decades
old. And all these years, it has been headlined by Tom Cruise, who is almost
pushing sixty. Considering such circumstance,
there should be some noticeable depreciation at this point. But Tom Cruise is like fine wine; he only
seems to get better with age. As a
result, Mission: Impossible – Fallout – the sixth installment of the
series – is arguably the best one to date.
If I felt Rogue Nation was like what a perfect 007 film would be, Fallout
made me consider for the first time that the M:I series may be superior
to the 007 series – and this is
coming from a huge James Bond fan. That
is how good I think this movie is.
I had a blast with Fallout.
So since the rest of this review is basically all praises for it, let me
first enumerate the things that I didn’t like.
First, the trailers/stills essentially giving away what the role of Henry
Cavill would be (the mustache actually makes the horrible CGI job on Superman’s
upper lip in Justice League worth it,
by the way). Second, two dream sequences that are laughably obvious of being dream sequences, and almost as ridiculous
as the dream sequence in Jurassic Park
III (i.e. a raptor uttering, “Alan!”).
I would have forgiven if there was only one of such.
But two? Two is simply hokey. Third, the disappointing absence of Jeremy
Renner’s William Brandt. Other than
these three, I have no other nits to pick.
As I’ve already stated above, the
biggest reason of the excellence of the M:I
films is Tom Cruise. He’s simply
amazing. He’s already in his mid-50’s,
and yet he can almost pass off as someone in his 30’s. But his youthful appearance doesn’t make him
appear less gritty and formidable.
After all, he has always been successful in projecting an august, badass screen
presence despite just standing 5 feet, 8 inches tall. Thus, Ethan Hunt is already
a very appealing hero appearance-wise – much the more so as a completely realized character.
But what’s more impressive than
Tom maintaining a young appearance is his dedication for performing his own
stunts – regardless of how terrifyingly dangerous – as well as having the necessary,
optimum physical conditioning to match. My
most favorite is still Ghost Protocol’s
Burj Khalifa scene, and second is Rogue
Nation’s plane opening. Nevertheless, Fallout delivers its share of epic set
pieces – most especially, the HALO jump scene and the climactic helicopter
sequence.
Indeed, a huge reason why Fallout – or the M:I film series as a whole, for that matter – is awesome is because of these iconic white-knuckled, jaw-dropping, breathtaking, heart-pumping action
sequences. And what probably makes them
more distinctively visceral than most action films’ set pieces is the
fact that these came as a result of actual stunt work rather than CGI,
which means there are more “real” on what’s unfolding and less “illusion”
(same reason why Mad Max: Fury Road is
an action masterpiece). In addition, the
fight scenes – whether involving guns or hand-to-hand combat – are outstandingly
gratifying as well (especially the bathroom scene).
What’s further more incredible is
that it manages to have all these fun, exhilarating action sequences without compromising
depth and substance. Usually, when an action
movie decide to be “fun” with its action, it has to settle itself with being “dumb”
as well – a “fun, dumb action movie”, as the term goes. But that isn’t the case here. It successfully manages to be both agreeable and
sophisticated. Moreover, it has solid laughs, but the humor never feels overpowering or out-of-place in this action movie of serious tone.
The plot is honestly a bit
by-the-numbers. It even has a couple of
elements that are somewhat similar to previous M:I movies. However, it
doesn’t come off as pretentious or stale at all as it’s enriched by a strong
sense of thrill and unpredictability. The
aforementioned hokey dream sequences notwithstanding, the narrative – at times, working in
conjunction with the editing – actually pulls off several clever instances where
it makes you think for a moment that what’s happening is one thing when what’s
really happening is another.
All things considered, Mission: Impossible – Fallout
is an intense, masterful spy action film.
And it’s definitely one of the best movies of the year – a strong
contender for my year-end top 20.
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