After adapting what’s considered
as the very first Elseworlds story Gotham
by Gaslight, wherein Gotham is reimagined as a Victorian era setting and Batman
is pitted against Jack the Ripper, the DCUAOM (DC Universe Animated Original
Movies) then adapts an Elseworld story centered on Superman – Superman: Red Son. I had been greatly looking forward to this animated
film adaptation since the source material is my most favorite Elseworlds comic
book ever.
Superman: Red Son presents an alternate reality in which the
Kryptonian rocket ship that sent a baby Superman on Earth landed on a Ukrainian
farm instead of Kansas, and thus, instead of being raised in the values of the
Kents, Superman is taught communist ideology growing up. When he grows into an adult, the Soviet Union
reveals him to the world, becoming a superweapon and propaganda tool of the
Stalin regime.
But after discovering the
existence of the gulags, Superman rejects and overthrows Joseph Stalin. Believing
that he’s the only one who is capable of truly realizing the communist utopia
for the people, he decides to take upon himself the role of supreme leader. Indeed, under his leadership, the Soviet
Union and its vassals become perfectly peaceful and prosperous in the subsequent
decades. However, he has brought this about
by employing coercive and Orwellian methods, much to the distress of his friend
Wonder Woman, who is growing disillusioned by the day.
Meanwhile, over at the United
States, Lex Luther – a less villainous but still Machiavellian and callous version
of Superman’s greatest foe – is married to Lois Lane (gasp!), and has made it his
life-long crusade to defeat Superman.
Also intent of bringing down Superman’s regime is Batman, a mad
terrorist who has always managed to avoid getting captured by Superman and his
police.
If you haven’t read the original
comics or watched the excellent motion comic of it in Youtube, this DCUAOM film
will totally work for you. However, if
you have done both or either, this adaptation will likely come off as underwhelming
and disappointing. While the plot is
generally the same with the source material, the few tweaks it does prove to be
very detrimental.
I understand that adaptations need
to change or cut off elements from their source materials in order to fit their
runtimes and develop some degree of freshness.
However, consider this: the DCUAOM Superman:
Red Son has a runtime of 84 minutes, while the aforementioned Youtube
motion comic clocks in at just a little over an hour, and yet the latter
managed to do more and have more substance.
On the other hand, the only things accomplished by the former’s revisions are inconsistent characterizations, loss of nuance, and gratuitous identity politics.
However, the worst blunder of the
DCUAOM Superman: Red Son is its
handling of the ending. Now, the ending
of the original Superman: Red Son is
undoubtedly one of the greatest plot twists in, not only comics, but all of fiction. But to my immense bafflement, the DCUAOM Superman: Red Son opted to exclude that
part. WHY?!
So, yeah. If you want to experience the best version of
Superman: Red Son, just go read the
original comic book mini-series or watch the motion comic over at Youtube. Seriously, that motion comic is somehow more
rewarding than this letdown of an animated film adaptation from the DCUAOM.
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