Prior to the Spring 2021 anime
season, I was not aware that SSSS.Gridman
was having a sequel. It was only on the
day the first episode of SSSS.Dynazenon
was finally posted that I learned of its existence, and with just a glance at
it, without reading any description or synopsis, I immediately knew that it was
a sequel or spin-off series to SSSS.Gridman,
since: a.) it has a “SSSS.” in its title; b.) I saw that it’s from Trigger, the
same studio that made SSSS.Gridman;
and c.) the poster/key visual (see above) has the same style as the poster/key
visual of SSSS.Gridman.
SSSS.Dynazenon
follows a high school boy named Yomogi Asanaka who bumps into an eccentric
young man named Gauma, a self-proclaimed “kaiju user.” But when an actual kaiju shows up and
rampages the city, Gauma is unable to stop it, as he finds out that his ability
to control a kaiju has apparently disappeared.
Fortunately, he has on hand a giant robot called Dynazenon. Yomogi, his classmate and crush Yume Minami,
and a NEET in his early 30’s named Koyomi Yamanaka are roped into the action, becoming
Gauma’s inadvertent co-pilots of Dynazenon.
From that day on, kaiju would
regularly attack the city, which is caused by Gauma’s former comrades, the
Kaiju Eugenicists. In turn, Yomogi,
Yume, Koyomi, and Gauma would fight them – each one piloting respectively the
four components that combine into Dynazenon: a smaller robot, Dynasoldier; a
plane, Dynawing; a race car, Dynastriker; and a submarine, Dynadiver. Alternately, the four parts can also form
into Dynarex (however, they usually transform into Dynazenon first before it
reconfigures into Dynarex). Also tagging
along with the main quartet is Koyomi’s cousin, Chise Asugawa, who proves to be
capable of being a substitute pilot later on.
A real connection to SSSS.Gridman isn’t established right off
the bat. In the first few episodes, the
possibility of it being set in a shared universe is even questionable. One would even think that it’s more of just a
spiritual successor. However,
eventually, some characters from SSSS.Gridman
do show up, finally making the connection between the two shows official.
SSSS.Dynazenon
is every bit of a celebration of tokusatsu as SSSS.Gridman was. In fact,
it seems like more of a tokusatsu show than SSSS.Gridman
– meaning, it functions like a tokusatsu show that requires the same kind of
suspension of disbelief that we give tokusatsu shows. For example, the extensive damage and deaths
caused by the titanic throwdowns between kaiju and giant robots. During the fights, we can clearly see
buildings and other structures getting destroyed. Presumably, people are getting killed,
too. However, tokusatsu shows – being
children-oriented – don’t address this at all.
In the aftermath of a battle, the inhabitants of this show’s world simply
go on with their lives as if nothing happened.
There’s no widespread trauma or evident status quo shift in the society
that should realistically arise from such earth-shaking catastrophe. As far as what the show displays, everything
just goes back to normal for everyone without any further elaboration. This is also mostly what’s been done with SSSS.Dynazenon, whereas SSSS.Gridman decided to tackle this by introducing
an interesting post-battle rule in place (i.e. in that world, the destroyed
city returns back to normal the day after the kaiju attack, and the populace
lose their memory of it. Meanwhile,
those who are killed during the kaiju attack are erased out of the memories of
the people who knew them, as if they never existed in the first place).
I think
that’s the edge of SSSS.Gridman. It wasn’t content to be just a cool tokusatsu
anime. While reveling on the beloved
inherent conceits and tropes of the genre, it wanted to infuse some logic and
thoughtfulness into them, too. More than
that, SSSS.Gridman is simply
underrated by how smart a show it was.
Its narrative was pretty meta, working on several layers and deserving of
some Mulholland Drive-level analysis.
Meanwhile, SSSS.Dynazenon isn’t as multi-faceted as
SSSS.Gridman with its
storytelling. But it’s every bit as
exciting and delightful with its action and aesthetics. And while it generally feels more of
straightforward tokusatsu than SSSS.Gridman,
it also has some attempts of depth and zaniness to make itself more than just a
typical tokusatsu anime. There are times
when the pace and tone become reminiscent of earnest anime dramas like A Silent Voice, especially when the
subplots are being explored. However, if there was any legit value, complexity,
or depth coming from this, it was lost on me.
There might have been, but it wasn’t just apparent to me as I didn’t
care much for the subplots. Still, it
did seem like the characterizations had been made richer by this.
One
noteworthy dynamic, though, that I found interesting was the “peace time”
interactions between the good guys and bad guys. Outside of the kaiju battles, the two sides
are somewhat amiable. They even hang out
at some points. Yeah, weird. The Kaiju Eugenicists’ goal is to wipe out
humanity. That’s evil as they come. Still, they don’t come off as straightforward
villains because of these “peace time” interactions with the heroes. Truly, the Kaiju Eugenicists are epitomic
anti-villains.
In the end, I think I enjoyed SSSS.Gridman more. But I nevertheless find SSSS.Dynazenon
to be notably fresh and stimulating.
I never expected
an anime “Gridman Universe” to happen, nor did I call for it. But since it’s here now, I’m genuinely
excited for what the franchise is planning to do next.
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