First of all, for the record, I’m
not really a fan of Game of Thrones. Yet.
I know it’s one of the hottest shows in TV right, but I still don’t
follow it. I’m still postponing my
jumping into its fandom, not only because I am already into a lot of TV series right now, but because I intend to read the books (which I haven’t
get the chance yet) before really immersing myself into that show. Also, honestly, its reputation for having so
much gratuitous nudity and sex – almost borderline pornography – does turn me
off a bit (really). Nonetheless, I am
aware of what makes Game of Throne,
well, Game of Thrones: a fantasy of superior-quality,
unapologetic violence, a complex plot, shocking game-changing twists that just come
out of nowhere, and the penchant for killing well-developed characters that the
audience had already grew fond of. And
all those elements are present in Attack
on Titan, which I’ve just recently watched (at the present, it has one
season with 25 episodes).
Among all present ongoing anime
series, AoT is the most stimulating to
watch. There’s a rich amount of emotion
in its narrative, the drama and action are very engrossing, its management of
its characters are extremely well done, and it incites a lot of insight. In AoT,
I’ve never found this kind of depth in an anime since Code Geass. Really. AoT
is just that amazing.
In the world of Attack on Titan, or Shingeki no Kyojin in Japanese (which means “advancing giants”),
the remnants of humanity live in a country protected from Titans by three tiers
of gargantuan and extensive walls – Wall Maria (outer wall), Wall Rose (middle
wall), and Wall Sinna (the final and innermost wall). For a century, the first wall, Maria, was
able to hold back the Titans, ensuring humans to enjoy peace. The status quo changed when a colossal
60-meter Titan broke through Maria’s wall, allowing the Titans to invade human
land.
Titans are nude, genitalia-less
giants of varying heights that have dumb, crazy looks on their faces –
sometimes with filthy, nutty smiles – as if they are high, psychotic hobo-baby
hybrids. The description I made in that
last sentence seems to make the Titans look weird and silly, but they are
actually terrifying. They are mindless
but they have a zombie-like drive to go after humans. Their sudden appearance in the world brought
humanity to the brink of extinction. However,
they actually don’t hunt, kill, and eat humans for the sake of food – it seems
they have no need to nourish themselves with food – since they just vomit out
the corpses they have devoured; it’s just that murdering and eating humans are
their innate impulse. They are nigh
invulnerable, for they have a quick healing factor and any body parts they lose
will only regenerate. The only way to
kill them is to cut through their nape severely.
To fight the Titans, humanity has
their military, which is divided into three parts: the corrupt and useless Military
Police; the Garrison Squad, who are in charge of guarding the walls; and the
elite Recon/Survey Corps, who go beyond the walls to Titan-infested lands,
hence, are the most competent soldiers to fight Titans (and in which group the
main characters of AoT chose to join
in).
The military’s soldiers are armed
with swords (for slashing Titan’s flesh, especially the nape) and 3D Maneuver
Gears (or “Vertical Maneuvering Equipment”), which are like the stuff in Sky Commanders (a GI-Joe rip-off back in the days), only cooler. The equipment enables the soldiers to swing around
buildings and trees a la Spider-Man, giving them more mobility and better
access in combating the Titans in high heights and slashing their napes.
Attack on Titan tells the story of the struggles and lives of these
soldiers – particularly, the trio of Eren Yeager, Mikasa Ackermann, and Arminn
Arlert; their batchmates from military boot camp; and the other members of the
Survey Corps (wherein Eren and his batchmates decide to join after their
graduation) – that have to face the hazards and carry the burden of going against murderous Titans in
behalf of humanity’s protection and advancement. Like Game
of Thrones, the story of AoT is
heavily character-driven. It develops its
characters very well, put plenty of personality and likability on them to get
the audience invested in the characters as much as the story. Thus, the audiences are really affected and
even pained whenever these characters are killed in action. It has established a feeling that no
character is safe. Everybody is fair
game. Everybody can get killed without
moment’s notice.
Heck, in an early episode, the
main character, Eren, even got killed – he was eaten by a Titan. Of course, a few episodes later, in a
well-executed twist (for the record, all plot twists, though not all
unexpected, have been well-executed), it was revealed that Eren was not really
dead, that he actually has the ability to regenerate and transform into a
Titan, and with his power manifesting for the first time, he burst out from the
Titan that had eaten him. The narrative
was centrally being moved forward through Eren, but the whole thing was done in
a way where you will never expect that he will actually come back. At that point on, I really thought he was
permanently dead, that he was a red herring and not the real main character. It was awesome. It was in Eren’s “death” where I actually went
“Holy Tilda Swinton (go see Orphan Black to get the reference), this anime is so Game of Thrones-y!” since it was as if done in a Ned Stark
manner.
An interesting facet of AoT is how effectively it conveyed the cruelties
and realities of war. Yes, it has
produced badass battle sequences. But,
again, because of the well-done character developments, deaths that rose from
these battles have meaning and impact. Us
that are watching can easily empathize on the surviving characters that are
scarred from the horrors they have gone through. It also tackled the realistic principles in
war, that death and sacrifice are necessary and should be willingly done for
the sake of the greater good. One
memorable quote in the anime was, “Someone who can’t sacrifice anything can
never change anything.”
I appreciate AoT’s fast pacing; it seems a lot has happened already in its 25
episodes. But, still, I just can’t get
enough of it. I do not know when the
next season will be, and it needs to come fast. AoT,
for me, is best experienced in an anime format; therefore, I won’t read the manga
as long as I can help it, so that I can enjoy any plot development in the anime
without any foreknowledge of it due to reading the manga. But if its new season doesn’t get here soon
enough, then I’ll probably be led to check on the manga to get my needed AoT fix.
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