Wonder Woman was one of the most notable films of 2017. However, what many don’t know is there was
another “Wonder Woman” film released last year – a biopic about William Moulton
Marston, the creator of Wonder Woman. Titled
Professor Marston and the Wonder Women,
it stars Luke Evans as Prof. Marston and details the bizarre relationship he
had with his wife Elizabeth Holloway Marston (played by Rebecca Hall) and their
mistress Olive Byrne (played by Bella Heathcote), who were significantly instrumental
in helping him invent the first lie detector as well as the creation of Wonder
Woman.
Prior to watching this film, I remember
already reading an article about Marston, his work as a psychologist, his
scandalous domestic life, and how he infused not-so-subtle imagery and themes of BDSM –
something he was fond of and practiced – into the Wonder Woman comics. But
this film – through strong storytelling and engaging performances from its three stars – makes all of this surreal information more vivid and striking in my mind.
In a way, the film rationalizes
and romanticizes polyamorous relationships.
It does utterly paint the love story among William, Elizabeth,
and Olive in a sympathetic, heartfelt light.
Now, of course, in real life, I personally disagree with it a moral
level. But – just sayin’ – this is an
objectively notable aspect of the film.
In the end, beyond the unusual threeway
romance or any other feature, what makes Professor
Marston and the Wonder Women truly fascinating is the fact that it’s a
film about Wonder Woman’s creation. I
love Wonder Woman. There is no greater female
superhero than her. She may not be
everybody’s favorite comic book super heroine – I myself rank a few above her –
but it can’t be denied that she’s indisputably the most popular, recognizable, and iconic. And discovering how her conceptualization and
the elements that we’ve come to know her for were shaped by deviant circumstances
is sorta hilarious but mindblowing.
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