After making a huge splash in his debut as a horror filmmaker with Get Out,
Jordan Peele – who first became famous from his comedy work with collaborator
Keegan-Michael Key – proves that it isn’t a fluke by delivering another
original, solid horror film in Us. It’s about a family of four (Lupita Nyong’o,
Winston Duke, Shahadi Wright Joseph, and Evan Alex) whose lake house vacation
is terrorized by the sudden appearance of four red-suited intruders – soon revealed
to be their doppelgangers.
I enjoyed Us better than Get Out. While I thought Get Out was good, I also deemed it overrated. On the other hand, Us totally won me over. I
love how its story evolves as it progresses, and I find its weird twists-and-turns
to my liking. Even at its lowest points,
it remains gripping and enjoyable.
Actually, Get Out objectively had a tighter plot than Us. It’s because Us explores this fascinating concept, but
it’s actually not clear and logical about its logistics – significantly
challenging one’s readiness to suspend disbelief for the film’s sake. Thus, the story doesn’t always make sense. Nevertheless, the combination of focused direction,
ingenious editing, phenomenal acting (especially from Lupita Nyong’o), and a refreshingly
bizarre premise makes for some thoroughly engaging storytelling. It also has carefully-placed, clever, nuanced
details in its narrative, which you can look back and appreciate once the
overall picture is finally revealed.
All in all, Us is a film packed with rivetingly eerie moments and surprises that
it’s worth seeing without knowing anything what it’s going to be about. Its imperfections are evident, yes, but it
also thoroughly captures the imagination that they don’t matter.
Us will probably not get the same accolades that Get Out got, but I have a feeling that
time will tell that it’s the superior Jordan Peele film.
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